Album Of The Day: Anathema – Alternative 4

Anathema – Alternative 4 (Peaceville Records – 1998)

Anathema’s Alternative 4 hits a sweet spot between the doom-laden metal of their early days and the uplifting self-help rock of their final ones. Frontman Vincent Cavanagh finds his voice amidst beautiful layers of instruments but the album also has an edgy, urban darkness. It’s like vicariously experiencing the emotions of someone’s most profoundly drunken bender: from rip-roaringly jubilant to extremely fighty to having a big cry. Alternative 4 is a very British masterpiece of maudlin, metropolitan metal: one of the most unique and intoxicating albums I’ve ever heard.

Virgin Steele – The Burning Of Rome (Cry For Pompeii)

“Where the winds of war are blowing freely”

In a tale as old as time, mismanagement and a shite label almost ensured that The Burning Of Rome (Cry For Pompeii) and its parent album, 1988’s Age Of Consent, were lost to history. But, by the Gods and Godesses, Virgin Steele were able to re-release the album in 1997, by which point they were hitting their stride as purveyors of peerless barbaric-romantic metal and their fans could finally rejoice in this mighty masterpiece. Bombastic and grandiose, it’s a totemic moment in the band’s career and frontman David DeFeis delivers the tale of a fallen warrior with heroic levels of nobility and passion. The Burning Of Rome (Cry For Pompeii) is easily one of the best metal songs of all time. I don’t just get goosebumps listening to it, I get them even just thinking about it.

Album Of The Day: Emperor – Anthems To The Welkin At Dusk

Emperor – Anthems To The Welkin At Dusk (Candlelight Records – 1997)

Emperor’s Anthems To The Welkin At Dusk is both a great gateway into the diabolical world of black metal and one of the genre’s daunting high watermarks. The furious, symphonic maelstrom the band unleash on this 1996 album is still something to behold. The combination of the Norwegians tremendous aggression and their formidable musical chops results in a record that gives an impression of imperious arrogance and almost ceremonial self-importance. Grandiose classics like The Loss And Curse Of Reverence and Ye Entrancemperium all more than live up to the album cover’s promise of “sophisticated black metal art” and Thus Spake The Nightspirit is right up there as one of my very favourite black metal tracks of all time.

David Lee Roth – Big Trouble

“I feel like a yo-yo, I’ve been here too long”

Big Trouble‘s magical “I bet if you asked them, our heroes would say…” hook alone is enough to make it one of my favourite songs ever. But the track, from David Lee Roth’s 1986 album Eat ‘Em And Smile, also has a hypnotically groovy and sexy riff running all the way through it, a dazzling career-peak performance from guitarist Steve Vai, and Dave Lee Roth rapping away at his witty, quirky and evocative best. As always, he ain’t talking ’bout love, but Big Trouble is romantic and profound. Like a glimpse into Diamond Dave’s philosophy of life. Because Roth knows what our heroes would say. Somehow, he knows.

Album Of The Day: Iron Maiden – Piece Of Mind

Iron Maiden – Piece Of Mind (1983 – EMI, 2014 Reissue)

When you’re in a “back to basics” metal mood, like I am today, classic Maiden is just a no-brainer. For the first six songs, 1983’s Piece Of Mind is basically metal perfection with rousing boy’s-own stuff like Where Eagles Dare and The Trooper, the soaring Flight Of Icarus and more progressive fare like Still Life and Revelations which lend the album a dark, gothic aspect. Maiden were hitting the tour/record cycle hard in the 80s so, inevitably, the quality starts to get inconsistent towards the end but it would take more than a slightly silly song about cavemen to take down a beast like this.

Album Of The Day: Possessed – Seven Churches

Possessed – Seven Churches (1985 Combat Records)

It came out of the Bay Area thrash scene but Possessed’s 1985 debut Seven Churches is now renowned for getting the death metal ball rolling. And quite right too: Jeff Becerra’s voice is demonic and cavernous; the riffing is brutal and relentless; and it closes with a song called… Death Metal! But it’s really more than that. As with other early efforts from the likes of Sodom, Kreator, Slayer and Celtic Frost there’s a primordial stew of dark extremity at work here that doesn’t fit neatly into any genre but has elements that can be extracted into loads of them. It’s not just the death metal guys that have worshipped at the altar of Seven Churches. And that’s why it still holds up today and always hits the spot, whatever kind of evil metal mood I might be in.

My 2008 Century Media reissue. Too black to take a good photo of, but it does fold out into an inverted cross!

Album Of The Day: Dio – Holy Diver [Joe Barresi Remix]

Dio – Holy Diver: Super Deluxe Edition (Warner Records 2022)

I can’t say that Joe Barresi’s 2022 remix of Dio’s Holy Diver is a revelation exactly but it’s a tasteful update. It loses a bit of ambience but adds punch and it’s great to hear a fresh new version of an album I’ve listened to a gazillion times. And because the remix lets us hear beyond the original’s fade-outs we get to hear more of Vivian Campbell’s inspired guitar playing. Holy Diver was always one of my favourite-sounding metal albums though, so when I find myself thinking “this sounds fucking great” I also remember… it always did.

Bathory – One Rode To Asa Bay

“The God of all almightiness had arrived from a foreign land”

I often worry I use the word “epic” too much in my reviews but there is no song more deserving of the term than Bathory’s majestic One Rode To Asa Bay. The Swedish band’s seminal 1990 album Hammerheart explores Viking life, belief and mythology but its climatic track One Rode To Asa Bay depicts the arrival of a Christian missionary intent on erasing that way of life. The use of choral keyboards and relentless, driving repetition gives the song a hypnotic grandiosity and it’s impossible not to get swept up in Quorthon’s raw, impassioned storytelling. This is the extreme metal Stargazer. Epic.

Album Of The Day: Blue Murder – Nothin’ But Trouble

Blue Murder – Nothin But Trouble (Geffen Records 1993)

Blue Murder were starting to sounding hopelessly outdated on their second album, 1993’s Nothin’ But Trouble. But in 1993 my taste in music was hopelessly outdated so I gobbled it right up. Compared to their bold debut album, Nothin’ But Trouble is a more calculated, commercial effort and there’s some rote wimphem here like Love Child and Save My Love. But I didn’t mind… back then I would have listened to Mr. Blobby if John Sykes was his guitarist. And there are some blazing rockers here like We All Fall Down and Cry For Love that took me right back to the glory days of Whitesnake’s 1987 and Thin Lizzy’s Thunder And Lightning.

Album Of The Day: Kreator – Pleasure To Kill

Kreator – Pleasure To Kill (Noise Records 1986 – 2017 Reissue)

Today I’m indulging in one of my favourite extreme metal classics: Kreator’s Pleasure To Kill. This 1986 album is obsessed with the various ways one might meet an end (whether it’s death by the blade, an axe in the back or a ripping corpse attack). It’s a masterpiece of thrash but such a raw, violent and bloodthirsty one that it also satisfies a craving for death and black metal. And it’s strewn with absolute classics: unforgettable bangers like the title track, Riot Of Violence and Under The Guillotine. Pleasure To Kill is the kind of bullet-belted lunacy that makes you feel glad to be alive.

… and classic rock too!